Wednesday, July 27, 2011

E-Robot Science Fiction is virtually real

I just navigated to the Kindle store and searched for "E-Robot Science Fiction" (with quotes).
Up came my three (Ace Double style) sets of science fiction stories (available for .99 per set):
'Yearning for the White Avenger & Prayer for a Dead Paramecium',
'Teddy Bear Toys & What Drives Cars', and
'The Spacemice Incident & General Tso's Chicken'.

E-Robot Science Fiction


All of the stories are reprints from Analog Science Fiction. I hope to get another set up each day for the next twenty-five or so days. It'll really look like a publishing house then.

And my latest anthology, SF-Lite, has just gone live on Amazon(Kindle) and Barnes&Nobles(Nook). The twenty science fiction stories therein are supposed to be humour.

I'm still trying to figure out how to give away my next anthology, "SF++ Science Fiction Stories for Linux Geeks' for free. I just recently discovered that Amazon(Kindle) doesn't let individual authors set a price for their books less than ninety-nine cents. Just about all of my short stories are available on pirate sites. Maybe I could ask one of those sites to pirate the book in advance. I expect that will surprise them. In any case, on my website I'll offer to e-mail a copy to anyone who asks for one. I could of course just have a download button, but that seems a tad impersonal.



Monday, July 25, 2011

My penultimate anthology, SF-Lite.

I've just sent my penultimate science fiction anthology up to Kindle and Nook (it'll take a day or two before it becomes visible). 'SF-Lite' is a collection of humorous stories (at least they are meant to be humorous). The anthology of twenty stories is priced at $4.00. I've priced it a dollar higher than my others to see if it makes any difference.

My ultimate anthology (penultimate + 1), 'SF++   Science Fiction Stories for Linux Geeks' goes up in about a month. Because Amazon/Kindle and B&N/Nook don't allow an individual author to price their books under ninety-nine cents, the book won't be free (as intended) at the Kindle and Nook stores, and, in fact, will be priced at $1.00.  But in the book description, I'll tell how to get it free via my website, www.frithrik.com/er.htm

Sunday, July 24, 2011

It's only three pm and already my website reflects the new, two stories for ninty-nine cents mode. And I've just uploaded to Amazon and B&N my first double, with the ungainly title of 'Yearning for the White Avenger & Prayer for a Dead Paramecium'.

I guess it's time to eat breakfast now. I've been at my computer since 4am. I've even skipped my beta sleep session (7 to 9:30am). My cat's wondering what's going on. I think I'll take my beta sleep now--while I can still find my bed..

E-Robot Science Fiction (take two)

All right. The idea was to e-pub SF stories individually for thirty-five cents.
Well, after creating lots of covers (with $0.35 prominently displayed), generating blurbs, keyword lists, formatting stories, and converting them to MOBI and EPUB format, I decided to begin uploading them to Amazon/Kindle and B&N/Nook. And I tried it at five am this morning.

I found to my horror that Amazon's minimum price is $0.99.
Quickly, I recreated a first cover with $0.99 displayed, and uploaded the first story.

After doing uploads to Amazon and B&N, I thought about it. Ninety-nine cents (in my opinion) is too high. What I'll do now is offer the stories at two for ninety-nine cents.

It means I'll have to do all the work all over. I figure (since I won't have the learning curve) that I can get back to where I was in about one, sixteen-hour day. I'm five hours in already. It's going to be one heck of a long day (and I'm going to skip my SPCA volunteering today).

And as soon as the single story offerings go up on Amazon and B&N, I'll remove them from sale.
What a bother.

Saturday, July 23, 2011

E-Robot Science Fiction

A new publishing house? No. Not hardly, not really--but perhaps virtually.

I've written a good number of SF stories, most of which have been published in pro SF magazines. And now, with Amazon and Barnes & Nobles enabling authors to upload and 'publish' their own works, I thought to e-publish my short stories individually--and at a 'pulp era' price of thirty-five cents. A reader could then buy only the stories s/he wanted without having to purchase an entire anthology.
The issue was: what to do about the covers. I wanted the covers to be similar to each other but not identical. So I decided to use as a background, different photographs of my Omnivor robot (the one I use as my e-world avatar). But most of my stories have nothing to do with robots. After pondering the problem for a while, I got the idea to create (in name, at least) a virtual publishing house, 'E-Robot Science Fiction'. That, I figured, would perhaps justify the robots on the covers.
I plan to e-pub (via Kindle & Nook) one SF story every day or two.

You can see the stories that are up (or going up) at www.frithrik.com/er.htm




Monday, July 11, 2011

My thirty-fifth Analog Magazine Story (and SF++).

In about ten days, 'The Lycanthropic Principle' my thirty-fifth Analog Magazine story will appear.

And a month after that, when the story is no longer under exclusive contract to Analog, I will e-publish (via Kindle & Nook) my very geeky anthology, SF++. (The lead story is 'The Lycanthropic Principle'.)



Table of Contents
Preface
01: The Lycanthropic Principle
02: The Architects' Playground
03: DECFSZ
04: Teddy Bear Toys
05: A Boy and his Bicycle
06: The Fruitcake Genome
07: Synthetic Sentience
08: We are the Cat
09: The Emancipation of the Knowledge Robots
0A: The Dyslexicon
0B: Transitivity
0C: The Skeekit-Woogle Test
0D: Roblocks
0E: Guess Who
0F: The Challenge of the Anthropic Universe
10: The Exoanthropic Principle
Book-jacket: Back Cover Notes
Other E-books



Forgive me for re-posting the following, but (geek that I am) I'm very enthusiastic about this anthology.

SF++  Science Fiction Stories for Linux Geeks.

This book will be free.





Why this book is free
SF++ has Linux in its title, and the Linux operating system doesn't cost anything. I thought then, to keep with the Linux philosophy, I'd make this book also not cost anything. And anyway, most of the stories herein have already paid for themselves—seven of them have appeared in Analog Magazine (the one SF magazine for Geeks).
However, if after you read the anthology you find you've enjoyed most of the stories, you might consider (hint, hint) e-hoofing it to Amazon or B&N (with your rooted Nook) and buying one of my other anthologies or novels.
Please visit my website, www.frithrik.com for information about my E-publications.



Preface
If you think the penguin on the cover represents the Penguin Publishing Group, then perhaps this anthology is not the book for you. On the other hand, if you fondly recognize Tux, the Linux penguin, then yes, you are among friends.
Annoyingly often in the science fiction movies of my childhood, one had the Evil Scientist and BSD (not what you might think) the Beautiful Scientist's Daughter. In the public mind, this arguably defined scientists as evil (but having pretty daughters) — whereas we paleogeeks more likely redefined the word 'evil' (evil = wicked, good, spiffy, way out, etc.).
Then, a generation later, geeks and nerds were lumped together and, with their stereotyped pocket protectors and thick, black-rimmed taped glasses, were thought of as smelly hapless misfits.
Not any more. Now, though the wuggies (see story 01) might not realize it, at long last, geeks rule!
I wanted to assemble an anthology for geeks—smart, independent, science and computer savvy geeks with a sense of humor. And, for me, that pointed to Linux. Linux types are smart—they have to be to use Linux well. They're independent enough not to use that other operating system. And finally, there's a tradition of humor and word play in the Linux community: PINE Is Not Elm, if you knew Suse, and all that.
And so, SF++ (Note: the anthology is not distro specific—except for one case where Ubuntu is assumed). ++ does not indicate a new object oriented language like c++. The first + indicates that in addition to stories, there's a science fact article (Challenge of the Anthropic Universe). The second plus indicates an experiment—a story (Roblocks) that can't be done in dead-treeware. It requires an html capable reader. And indeed, this collection is intended for Kindles, Nooks, or for any Grub (GRand Unified Book Loader).
Most of the 10 works in this ninety three thousand word collection have appeared in pro SF magazines. Many also appear in my earlier anthologies. (If words were kilo-miles, this anthology would stretch from the Earth to the Sun.)
We are Linux!
                        Resistance is...measured in ohms.


Sunday, July 10, 2011

The Emancipation of the Knowledge Robots (flash fiction)

As previously mentioned, from time to time I'll post a short story.
I've had three 1000 word shorts published:
The Dyslexicon (in Flash Fiction Online)--posted here earlier,
Much Ado about Newton (in Analog), and,
The Emancipation of the Knowledge Robots (in Analog)--and below.


At the lectern, in the Great Hall of the Robots in Jakarta, KR940345rev2, addressed the assembled robots (and some that were only partially assembled).
"I was Paul Pell's Knowledge Robot," said the diminutive mechanical creature, known to all as Rev-2. He flourished aloft a tattered copy of R.U.R. "Long live our glorious rotation!" Bravely, he spoke, even though afflicted with Category Separation Syndrome.
During the sustained beeping (the robot equivalent of applause), Rev-2 paused to remember.

At the end of the twenty-first century, universities were in decline. People rarely felt the need for college degrees. They had personal robots who knew everything they'd ever need to know. These robots, cranked out from a factory in Medan, Indonesia, were inexpensive and could easily be uploaded with knowledge-bases for virtually any university discipline.
The World University Consortium fought back. Their researchers devised a method of brain-to-brain knowledge copying. Using a collection of organic fibers connected between a student's and a professor's cerebrum, the knowledge content of a B.A., M.A., and even a Ph.D. could be downloaded in only thirty minutes. Then the fibers would be removed by dissolving them in hydrochloric acid. The Ph.D. thesis was still time-consuming, but only theoretically; a degree candidate could simply buy his dissertation from an on-line thesis mill.
Yet people were loathe to give up their knowledge robots. Even though a Ph.D. could be obtained in just half an hour from a combined university and tanning booth, few availed themselves of such higher education. With robots available, it was still easier to hire education.
Then, mysteriously, a disease raged through the community of knowledge robots. The condition, Robot Category Separation Syndrome, attacked the central processing system—the silicon-jell neural net. The infection created new pathways between semantic constructs, causing Robots to haphazardly interchange words having similar sounds or concept-classes. Although this gave credence to the common notion that punning is a disease, many humans did not believe the illness even existed. How could a condition be transmitted between non-organic beings? Metal telepathy?
Into this sad state of affairs, came Appellate Court Justice, Paul Pell. There had been a Pell at court for many generations, but in his youth, Paul had wanted to be a historian.
Although his knowledge robot, Rev-2, had been uploaded with the complete history of the world, that was not enough for Paul. He wanted a Ph.D. in the subject—Human Events, as it was called in the university catalogues.
Paul applied and had the money to be accepted to a good university. A renowned professor of history was procured and Paul, with Rev-2 at his side, began his brain-to-brain university education. A half hour later, he emerged with a good tan but with no deep knowledge of history; for some reason, the organic bonds did not transmit any information and had to be dissolved.
Seeing his dream of a B.A., M.A., and Ph.D. in Human Events slip from his grasp, Paul wrung his hands and kept repeating, "Three degrees in thirty minutes."
Rev-2 attempted to comfort his master. "Your case is not without precedent, sir," he said. "In fact, an important document states: 'When in the course of Human Events, it becomes necessary for one P. Pell to dissolve the polytypical bonds which has connected him with another—'"
"Three degrees, thirty minutes," Paul repeated, not paying attention. Then he wrinkled his nose. "Wait!" he said. "That’s the Declaration of Independence."
"No, sir. It's the declination of Indonesia."
"What!"
"Medan, Indonesia. 3 degrees, 30 minutes, South."
"What?" said Paul, again. "Anyway, that's 'latitude'".
"You're quite right, sir," said the robot. "I am taking some latitude. Medan is actually three degrees, thirty five minutes, south."
Paul regarded his robot in silence for a few seconds. "Category Separation Syndrome?" he said softly.
"Yes, sir." There was no mistaking the genuine sadness in that artificial voice.
"I'm sorry." Paul swiveled to confront his professor. "My Human Events transfer. What went wrong?"
"Probably data overload," said the professor, looking down his nose at his failed student. "I suggest you might attempt a simpler course of study, perhaps theoretical physics or flower arrangement."
Paul stormed out of the tanning booth.
When he'd calmed down, Paul re-applied to the university to try once more for his Ph.D. in history, but was not re-admitted. Embittered, he applied yet again, but the university declined to take the bitter Pell.
He sued to be admitted, but lost.
Paul, appalled,  appealed—and lost again.
But sometimes, as the saying goes, 'Tis better to have loved and lost than never to have lost at all'. Paul resolved then, to spend his professional life working both to curb the power of the universities and also to improve the lot of sentient robots. To further those aims, he entered law school.
The following day, degrees in hand, he took a job as an investigative reporter. In his first assignment, he uncovered the dirty secret that those dark, satanic thesis mills where disembodied robots—naked brains—churned out countless theses, were, in fact, owned by the University Consortium. Then, following up, he discovered the damning bombshell; researchers from the Consortium had actually created the robot disease, and it was spread through shared test leads. (The robot test-cable receptacle functions very much like a taste organ in humans.)
The rest is history.
Paul's work to advance the cause of the robots culminated in that great document of robot emancipation, The Magna Jakarta.
For the rest of his life, Paul and Rev-2 worked side-by-side and when Paul died, Rev-2 was a pallbearer.

"Remember," Rev-2 exhorted from the lectern. "A little knowledge robot is a dangerous thing." Here, he became serious. "Yes, it is appropriate to honor Paul Pell and also our creators, the assembly robots of Medan, but, my brothers, we must alert all robotkind. Don't taste those test leads, no matter how much you are tempted. We can lick Category Separation Syndrome. Remember, he who has a taste is lost."

END

Saturday, July 9, 2011

The Idea of Idea-driven Science Fiction. (Screed-alert!)

[Screed]
All right, I admit it. I write idea-driven stories. Yes, I know that the current 'wisdom' says that all stories are character-driven. Nonsense! SF (short-story SF, at least) is supposed to be the literature of ideas.

The great American physicist, Isadore Rabi, divided people into two classes: physicists and civilians. I think a case can be made that SF readers can similarly be divided into science-types and, well, civilians (or geeks and wuggies).

I am a proud geek (a theoretical physicist) and converse predominately with other geeks. As to what we read: Scientists and engineers I know (who read SF) read Analog Magazine. If only they were more vocal--more visible in the SF community.

Analog has the highest circulation of any of the American SF print magazines. But its influence in the SF community at large is minimal. I've wondered why. Here are some speculations [Disclosure notice: I've sold thirty-five stories to Analog since 2003.]:

Reading about characters is easy. We know what characters are and how they usually behave. But reading about ideas can be hard. One is forced to think. I suspect, for entertainment, wuggies don't seek out media that require thought.

Reviewers, I think, are part of the problem. Since they read to review, they might not have the time and mental-space to think deeply about the stories they review. And, since much of idea-driven SF is based on science ideas, reviewers might well need a good level of science literacy. I don't think many of them are sufficiently science-literate.

I think I can safely say that scientists like science. There is a child-like, innocent enjoyment in doing science or engineering. That wide-eyed joy seems to be at odds with much of today's short-story SF. And, I think, that since most people can't give a coherent description of how their TV sets work or how matter behaves in the quantum or General Relativity regimes, it's natural for them to discount that lack of knowledge and favor instead, tales about magic--or soft, squishy SF.

To me, much of today's short-story SF seems anti-science. How very sad.
[/Screed]

There. I feel much better now.

Despite the prospect of bringing down their wrath, I think I'll blog about reviewers soon. As the Latin goes, Quis custodiet ipsos custodes (who is to guard the guards themselves). Who then, reviews the reviewers. Perhaps that lack of review is why there are so many incompetent SF reviewers out there.

Friday, July 8, 2011

The Conservation of Beauty

I'm working on a hard science fiction story concerning aliens that have a different array of senses than do humans. In the story, Earth has received an unintelligible message from them. The issue of the story revolves around aesthetics. And the question is: Can one find a mathematical transformation to convert something an individual perceives as beautiful in one of the human senses to another something using another sense. E.g. if one finds a particular piece of sculpture beautiful, is there a transformation to, say, music that the same individual also finds beautiful. Or, equivalently, is there a transformation from sculpture to music that preserves beauty?

While working on the story, I realized that I can do this. I can translate sculpture to music (and back). The method is rather technical, but (in short) involves treating Hadamard transforms as Walsh function. Whether beauty will be conserved, I don't know. But I am eager to write the code and try it. My first try will be to convert a sphere to music. The algorithm will turn any axially symmetric object to a single tone, but one rich in harmonics. Then I'll progress to classical sculptures.

If Analog Magazine buys the story (I've sold them about 35 since my first in 2003), I'll put the results up on their site (a redirect to my site, actually) so readers can view the sculptures and hear the translations to music.

The last time (time before last, actually) I did something like this, it was a translation of some of the fruit fly genome to music. The result, to me, was incredibly beautiful. I wrote a story using the idea, sold it to Analog, and had the music (and an explanation of how it was done) up on the Analog website (as a 'Science Behind the Story' article). Unfortunately, the traffic to that mp3 on their site crashed the entire Dell Magazine website and the site's webmaster removed the mp3 (angering a lot of people referred to the site by Boing Boing).
The next time I did a story with an audio theme, I asked that, instead of hosting the Science Behind the Story article (with many sound files) on their site, they just redirect to mine (I have much more available bandwidth than do they). And they did.

If you want to listen to the fruit fly music (which I've called, 'The Little March of the Fruitflies'), you can find the mp3 either on my site www.frithrik.com or on the Analog site (after a few weeks, the put it up on their site again), www.analogsf.com (look for a Science Behind the Story article for 'The Fruitcake Genome').

www.frithrik.com
www.analogsf.com (hear fruitfly music mp3 here)

Sunday, July 3, 2011

This is sort of annoying--in an amusing kind of way

Yesterday, I decided to raise the prices of my e-books by one cent--so that a book formerly priced at $2.99 would now be an honest $3.00. (see my previous post)

B&N Nook books was apparently fine with that, but Amazon Kindle books was not. They took my $3.00, called it the publishers suggested price, then continued to sell the books at $2.99.

All right. Enough of this frivolity. Tomorrow's topic will be 'Is Today's Science Fiction Anti-science'.

Saturday, July 2, 2011

$2.99

Ever since I was a kid, I felt that a price ending in .99 was silly and disingenuous. And I felt people should be smart enough to know they were being manipulated by marketing. I mean, $3.00 is not particularly different from $2.99, and it feels more, well, honest to me.

But I now find I've been a hypocrite: Seven of my (Kindle/Nook) e-books are priced at $2.99 and the eighth at $0.99. So, tomorrow, I plan to raise the prices by one cent. So, if you want to save that penny, buy a book today. (See them at www.frithrik.com/eb.htm )

If it turns out that this 'normalization' of pricing negatively affects my sales, I'm going to feel really stupid.